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Sociology of Religion in America tells the story of the controversies involved in the development of a scientific specialty that often makes news in America. The evidence it presents runs contrary to the many myths about the field. Sometimes viewed by scholars as a backwater, actual evidence from the 1890's to the 1980's shows that sociology of religion had a steady presence in sociology all along. Seen as a force alien to religion by some, it was actually in a mutually supportive relationship with religious organizations. Examining dissertations dating from 1895 to 1959 and scientific articles from the 1960's to the 1980's, Anthony J. Blasi discovers who the major sociologists of religion were and what they did. He traces the field’s previously unknown tradition in community studies, the exigencies of the research institutes, and dramatic changes in the professional associations.
Religion and sociology --- Sociologie religieuse --- United States --- Etats-Unis --- Religion. --- Religion --- 316:2 <73> --- Godsdienstsociologie--Verenigde Staten van Amerika. VSA. USA --- 316:2 <73> Godsdienstsociologie--Verenigde Staten van Amerika. VSA. USA --- Religion and sociology - United States --- United States - Religion
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Since the days of early television, video has been an indispensable part of culture, society, and moving-image media industries. Over the decades, it has been an avant-garde artistic medium, a high-tech consumer gadget, a format for watching movies at home, a force for democracy, and the ultimate, ubiquitous means of documenting reality. In the twenty-first century, video is the name we give all kinds of moving images. We know it as an adaptable medium that bridges analog and digital, amateur and professional, broadcasting and recording, television and cinema, art and commercial culture, and old media and new digital networks. In this history, Michael Z. Newman casts video as a medium of shifting value and legitimacy in relation to other media and technologies, particularly film and television. Video has been imagined as more or less authentic or artistic than movies or television, as more or less democratic and participatory, as more or less capable of capturing the real. Techno-utopian rhetoric has repeatedly represented video as a revolutionary medium, promising to solve the problems of the past and the present-often the very problems associated with television and the society shaped by it-and to deliver a better future. Video has also been seen more negatively, particularly as a threat to movies and their culture. This study considers video as an object of these hopes and fears and builds an approach to thinking about the concept of the medium in terms of cultural status.
Video recordings --- Videorecordings --- Videos --- Audio-visual materials --- History. --- video --- cultuurgeschiedenis --- technologie --- Verenigde Staten --- filmgeschiedenis --- film --- 791.45 --- Vidéos --- History --- Histoire --- Telecommunication technology
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American national characteristics --- Amerikaans volkskarakter --- Caractéristiques nationales américaines --- National characteristics [American ] --- Volkskarakter [Amerikaans ] --- National characteristics, American --- Public history --- Symbolism --- National monuments --- Collective memory --- Patriotism --- Histoire appliquée --- Symbolisme --- Sites classés --- Mémoire collective --- Patriotisme --- Social aspects --- Aspect social --- 973 Geschiedenis van de Verenigde Staten van Amerika (USA) --- 1 <73> --- Filosofie. Psychologie--Verenigde Staten van Amerika. VSA. USA --- Geschiedenis van de Verenigde Staten van Amerika (USA) --- 1 <73> Filosofie. Psychologie--Verenigde Staten van Amerika. VSA. USA --- Caractéristiques nationales américaines --- Histoire appliquée --- Sites classés --- Mémoire collective --- Representation, Symbolic --- Symbolic representation --- Mythology --- Emblems --- Signs and symbols --- Monuments --- National parks and reserves --- Collective remembrance --- Common memory --- Cultural memory --- Emblematic memory --- Historical memory --- National memory --- Public memory --- Social memory --- Memory --- Social psychology --- Group identity --- National characteristics --- 973 --- United States
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As a subculture, cloistered monastic nuns live hidden from public view by choice. Once a woman joins the cloister and makes final vows, she is almost never seen and her voice is not heard; her story is essentially nonexistent in the historical record and collective, public history. From interviews conducted over six years, Reese tells the stories of the Poor Clare Colettine Order, a cloistered contemplative order at the Corpus Christi Monastery in Rockford, Illinois.
Monastic and religious life of women --- Oral history --- Oral biography. --- Vie religieuse et monastique féminine --- Histoire orale --- Biographies orales --- Corpus Christi Monastery (Rockford, Ill.) --- Colettines --- Biography --- Colettines. --- Franciskanessen. Arme Klaren. Clarissen. Coletienen. Penitenten-recollectienen--Adresboeken --- 371 <73> --- 271.973 --- Monastic life --- 371 <73> Onderwijs. Schoolwezen--Verenigde Staten van Amerika. VSA. USA --- Onderwijs. Schoolwezen--Verenigde Staten van Amerika. VSA. USA --- Oral biography --- History --- Oral tradition --- Monasticism and religious orders for women --- Spiritual life --- Methodology --- Christianity
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"Making News at The New York Times is the first in-depth portrait of the nation's, if not the world's, premier newspaper in the digital age. It presents a lively chronicle of months spent in the newsroom observing daily conversations, meetings, and journalists at work. We see Page One meetings, articles developed for online and print from start to finish, the creation of ambitious multimedia projects, and the ethical dilemmas posed by social media in the newsroom. Here, the reality of creating news in a 24/7 instant information environment clashes with the storied history of print journalism, and the tensions present a dramatic portrait of news in the online world.This news ethnography brings to bear the overarching value clashes at play in a digital news world. The book argues that emergent news values are reordering the fundamental processes of news production. Immediacy, interactivity, and participation now play a role unlike any time before, creating clashes between old and new. These values emerge from the social practices, pressures, and norms at play inside the newsroom as journalists attempt to negotiate the new demands of their work. Immediacy forces journalists to work in a constant deadline environment, an ASAP world, but one where the vaunted traditions of yesterday's news still appear in the next day's print paper. Interactivity, inspired by the new user-computer directed capacities online and the immersive Web environment, brings new kinds of specialists into the newsroom, but exacts new demands upon the already taxed workflow of traditional journalists. And at time where social media presents the opportunity for new kinds of engagement between the audience and media, business executives hope for branding opportunities while journalists fail to truly interact with their readers"--
Journalism --- New York Times --- Online journalism --- Journalisme --- Journalisme en ligne --- Technological innovations. --- Innovations --- New York times. --- 070 <73> NEW YORK TIMES --- 316.774:070 --- #SBIB:309H1812 --- #KVHA:Media --- #KVHA:Journalistiek --- Pers. Nieuwsbladen. Magazines. Redaktie. Journalistiek--(algemeen)--Verenigde Staten van Amerika. VSA. USA--NEW YORK TIMES --- Perswezen--(communicatiesociologie); z.o. {070} --- Pers: bedrijfseconomische aspecten, productie- en distributiestructuren --- Social science --- History --- Media Studies. --- 316.774:070 Perswezen--(communicatiesociologie); z.o. {070} --- 070 <73> NEW YORK TIMES Pers. Nieuwsbladen. Magazines. Redaktie. Journalistiek--(algemeen)--Verenigde Staten van Amerika. VSA. USA--NEW YORK TIMES --- United States --- 21st century --- Technological innovations
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Professor Jenkins develops a systematic theory of the origins, the ends, and the functions of law. He then applies this theory to the problems that law encounters and the conditions that it must satisfy if it is to be an effective force in society.Originally published in 1980.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Effectiveness and validity of law. --- Jurisprudence. --- Sociological jurisprudence. --- Effectivité et validité du droit --- 34:316 <73> --- Rechtswetenschappen.-:-Sociologie --(algemeen)--Verenigde Staten van Amerika. VSA. USA --- 34:316 <73> Rechtswetenschappen.-:-Sociologie --(algemeen)--Verenigde Staten van Amerika. VSA. USA --- Effectiveness and validity of law --- Jurisprudence --- Sociological jurisprudence --- Law --- Law and society --- Society and law --- Sociology of law --- Sociology --- Law and the social sciences --- Validity and effectiveness of law --- International law --- Philosophy --- Legal theory and methods. Philosophy of law --- Droit --- Effectivité et validité du droit --- Sociologie juridique
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The Book Publishing Industry focuses on consumer books (adult, juvenile, and mass market paperbacks) and reviews all major book categories to present a comprehensive overview of this diverse business. In addition to the insights and portrayals of the U.S. publishing industry, this book includes an appendix containing historical data on the industry from 1946 to the end of the twentieth century. The selective bibliography includes the latest literature, including works in marketing and economics that has a direct relationship with this dynamic industry. This third edition features a chapter on e-books and provides an overview of the current shift toward digital media in the US book publishing industry.
Publishers and publishing --- Electronic publishing --- Editeurs et édition --- Edition électronique --- 655.4 <73> --- Uitgeverij. Boekhandel--algemeen--Verenigde Staten van Amerika. VSA. USA --- Editeurs et édition --- Edition électronique --- Book publishing --- Books --- Book industries and trade --- Booksellers and bookselling --- Publishing --- 06.23 publishing, publishers. --- Electronic publishing. --- Publishers and publishing. --- Édition électronique --- United States.
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"Ici" raconte l'histoire d'un lieu, vu d'un même angle, et celle des êtres qui l'ont habité à travers les siècles. Dans cet espace délimité, les existences se croisent, s'entrechoquent et se font étrangement écho, avant d'être précipitées dans l'oubli. Richard McGuire propose ainsi une expérience sensorielle inédite, puissante et presque magique du temps qui passe.
McGuire, Richard --- 741.5 --- Verenigde Staten --- McGuire Richare --- beeldverhaal --- eenentwintigste eeuw --- graphic novels --- kunst --- tijdelijkheid --- tijd --- ruimelijkheid --- ruimte --- strips --- tekenkunst --- COMICS & GRAPHIC NOVELS --- Literary. --- Fantasy. --- Science Fiction. --- 741.571 MCGUIRE --- Comics & graphic novels --- Science fiction. --- Bande dessinée --- COMICS & GRAPHIC NOVELS / Literary. --- COMICS & GRAPHIC NOVELS / Fantasy. --- COMICS & GRAPHIC NOVELS / Science Fiction. --- Romans graphiques
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For two decades the students of Auburn University's Rural Studio have designed and built remarkable houses and community buildings for impoverished residents of Alabama's Hale County, one of the poorest in the nation. Our critically acclaimed bestseller Rural Studio (2002) showed how salvaged lumber, bricks, discarded tires, hay-and-waste cardboard bales, concrete rubble, colored bottles, carpet tiles, and old license plates were transformed into inexpensive buildings that were also models of sustainable architecture. Rural Studio at Twenty chronicles the evolution of the legendary program, founded by (MacArthur Genius Grant and AIA Gold Medal winner) Samuel Mockbee, and showcases an impressive portfolio of projects. Part monograph, part handbook, and part manifesto, Rural Studio at Twenty is a must-read for any architect, community advocate, professor, or student as a model for engaging place through design. This book describes the complex mix of attributes that has made the Rural Studio unique: its teaching methods, the design and construction processes of its student teams, the relationship it has forged with its West Alabama community, and much more. The book also takes a broad look at a series of critically acclaimed projects that illustrate the evolution of the Rural Studio's work and the successes and failures of its unique teaching model.
architectuur --- Environmental protection. Environmental technology --- duurzame ontwikkeling --- Architecture --- architectural theory --- architecture [discipline] --- sustainable development --- architectuurtheorie --- Rural Studio [Hale County, Ala] --- Vernacular architecture --- Sustainable architecture --- Low-income housing --- ARCHITECTURE / Individual Architects & Firms / Monographs. --- Rural Studio --- Mockbee, Samuel --- Community architecture --- Verenigde Staten --- 72.07 --- 72.039(7/8) --- Architectuur ; Hale County ; Alabama ; 1990-2014 ; Rural Studio --- Mockbee, Samuel 1944-2001 (°Meridian, Mississippi, Verenigde Staten) --- Rural Studio ; Hale County, Alabama --- Bouweconomie --- Vernaculaire ; traditionele ; synthese met hedendaagse architectuur --- Poor --- Housing --- Inclusionary housing programs --- Eco-architecture --- Environmentally conscious architecture --- Environmentally friendly architecture --- Green architecture --- Green building design --- Green design (Buildings) --- Sustainable design (Buildings) --- Sustainable design --- Architecture, Anonymous --- Architecture, Indigenous --- Architecture, Vernacular --- Folk architecture --- Indigenous architecture --- Traditional architecture --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Study and teaching --- Architecten. Stedenbouwkundigen A - Z --- Architectuurgeschiedenis ; 2000 - 2050 ; Amerika --- Design and construction --- Auburn University. --- ARCHITECTURE / Individual Architects & Firms / Monographs --- Architecture vernaculaire --- Architecture durable --- Pauvres --- Etude et enseignement --- Logement --- Architecture, Primitive
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"Thomas Crow's paradigm-changing book challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides. While American Pop was indebted to its British predecessor's insistence that any creative pursuit is worthy of aesthetic consideration, Crow demonstrates that this inclusive attitude also had strong American roots. Folk becomes Crow's starting point in the advance of Pop. The folk revival occurred chiefly in the sphere of music during the 1930s and '40s, while folk art surfaced a decade later in the work of Jasper Johns and Robert Rauschenberg. Crow eloquently examines the subsequent explosion of commercial imagery in visual art, alongside its repercussions in popular music and graphic design. Pop's practitioners become defined as artists whose distillation of the vernacular is able to capture the feelings stirring among a broad public, beginning with young participants in the politicized 1960s counterculture. Woody Guthrie and Roy Lichtenstein, Andy Warhol and Bob Dylan, Ed Ruscha and the Byrds, Pauline Boty and the Beatles, the Who and Damien Hirst are all considered together with key graphic designers such as Milton Glaser and Rick Griffin in this engaging book. "--
Pop art. --- Art and music --- Arts and society --- Pop'art --- Art et musique --- Arts et société --- History --- Histoire --- ART / History / Modern (late 19th Century to 1945). --- ART / History / Contemporary (1945-). --- HISTORY / Social History. --- 76 <73> "19" --- 764 --- 7.039*1 --- 77 "19" --- 77.01 --- Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA--20e eeuw. Periode 1900-1999 --- Doordruktechnieken in de grafische kunsten. Zeefdruk. Serigrafie --- Minimal arts. Objectkunst --- Fotografie--20e eeuw. Periode 1900-1999 --- Fotografie--Semiotiek van de fotografie. Theorie --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- 77 "19" Fotografie--20e eeuw. Periode 1900-1999 --- 7.039*1 Minimal arts. Objectkunst --- 764 Doordruktechnieken in de grafische kunsten. Zeefdruk. Serigrafie --- 76 <73> "19" Grafische kunsten. Grafiek. Prentkunst--Verenigde Staten van Amerika. VSA. USA--20e eeuw. Periode 1900-1999 --- Arts et société
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